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Lourdes Pérez  •  short bio

Puerto Rican-born composer, poet, decimista, oral historian, vocalist and guitarist Lourdes Pérez  is known for her “achingly beautiful contralto voice” and her ability to write emotionally rich songs about people, places, history and ideals. Often called "one of the finest Latin American vocalists and songwriters,” Pérez has performed internationally from war zones to performing arts centers and has collaborated with diverse artists across language and genre for 30 years.  In Canada critics dubbed her "the Edith Piaf" of the Spanish language. 


In the early 90's when she began touring, Pérez was one of the only out, Latina lesbians and she performed only in Spanish. Through her visibility and her music, she occupied spaces that didn't often overlap, or include people like her, and quietly opened many paths along the way.


In 2006, she was one of the first five composers (and the only woman) to be awarded the inaugural United States Artist fellowship for Music.  Published works include 14 CDs, scores and soundtracks for dance, theater and film and two illustrated, oral history books with original music CDs.



Lourdes Pérez  •  full bio


Lourdes Perez (b. 1961 San Sebastian, Puerto Rico) is a prolific contemporary recording artist, songwriter, composer, arranger, poet, vocalist and guitarist. She is also one of few female decimistas (writers of décima, a specialized form of Spanish poetry). Lourdes’ music – often conjuring comparisons to the soulful world music genres of cante jondo, morna and fado – draws from her jíbara (Puerto Rican mountain) roots and a socially conscious genre of Spanish/pan-Latin American music called nueva trova or nueva canción.


Considered by many to be “among the great Latin American female vocalists” and songwriters, Lourdes Pérez has performed duets onstage with numerous legendary and diverse artists, from Argentinean singer Mercedes Sosa and Mexican master decimista Guillermo Velázquez to Canadian pop artist Jane Siberry and Lebanese singer-songwriter, May Nasr. Acclaimed for her “ability to transcend language…with her achingly beautiful contralto voice,” she has been described by music critic Michael Corcoran as “Edith Piaf fronting the Gypsy Kings.” Wielding a startling combination of power and fragility within the same voice, her varied audiences often find themselves crying without necessarily understanding a word.


In the early 90's when she began touring, Pérez was one of the only out, Latina lesbians and she performed (performs) only in Spanish. Through her visibility and her music, she occupied spaces that didn't often overlap, or include people like her, and quietly opened many paths along the way.


In December, 2006 Lourdes Pérez became one of the first 50 artists to be named as a United States Artists Fellow and was awarded a $50,000 unrestricted grant in honor of her contribution to Music. Through anonymous nomination and selection by peers and industry leaders, this fellowship recognizes the “finest living artists in the country” and Lourdes was one of 5 musicians (and the only woman musician) to be so honored. Also in 2006, her song, Paloma Urbana (Urban Dove) won Best Latin Song in the Just Plain Folks Music Awards. She is featured in the 2005 Oxford Encyclopedia of Latinos and Latinas in the United States (Oxford Press) and in World Music: The Basics by Richard Nidel (2005), as well as one of 1000 performers in the world profiled in the 2000 Music Hound World Essential Album Guide.


Independent, theatrical, down-to-earth and somewhat nomadic, Lourdes has devoted her work to promoting human rights and dignity around the globe. In 1996, Pérez was invited to Chiapas by the Zapatista movement as part of an international delegation. Pérez presented her music in the indigenous communities of Oventic and the Lacandona jungle. In 1997, Pérez co-founded the organization OCTAAV (Organization of Concerned Texas Artists and Activists for Vieques), participating in events in Texas and on the island of Vieques as part of the (eventually successful) international effort to remove the United States Navy from the island. In those years, a song that Pérez wrote, “Sierra Blanca,” was used as part of a successful grassroots campaign against turning a low-income Mexican American community on the Texas-Mexico border into nuclear waste dumping grounds.


Lourdes' solo album, “Este Filo" is dedicated to Carmen Jiménez "Doña Titin," wife of Rafael Cancel Miranda and a heroine of the struggle for the dignity and sovereignty of Puerto Rico. Her trip to Palestine in 2002 prompted her Spanish translation of the beloved Arabic song by Ahmad Kaboor/Tawfeeq Zayad, "Unadeekum (Te llamo). The song was first released as a single, then on her CD, Este Filo. She had the honor of recording the song with Lebanese singer, May Nasr and the beloved writer of the song, Ahmad Kaboor.  In 2011 Pérez and Nasr, performed a duet concert at the historic Castillo de Gibralfaro in Málaga, Spain. Their beautiful collaboration continued and they released a full-length album, Written in Water (in Spanish and Arabic) in 2016. One of the songs on the album, “The Road” (lyrics: Lana Aoude/ music: Lou M. Salloum) was #4 on the Top 20 Alternative/Indie Arabic Songs of 2016. (KZSU Stanford, hosted by Dr. Ramzi Salti) and the full review of the CD called it “a masterpiece…you can't help but be moved by this CD even if you don't speak either language.”

Pérez is frequently asked to write or improvise tributes to other artists, human rights leaders and elders, such as Chicana scholar Gloria Anzaldúa, Puerto Rican nationalist centenarian Isabel Rosado and disappeared Mayan resistance leader Efraín Bámaca Velásquez ("Comandante Everardo"). Pérez recently provided contextual information on Puerto Rican poetry for U.S. Supreme Court Justice Sonia Sotomayor's memoir, My Beloved World (2013). 


Her discography includes 14 albums, a full length film score, a short film score, 2 modern dance scores, a theater score and numerous individual tributes, while several of her songs appear in films, compilations and anthologies.


She is the co-author and composer of Dulce Vigilante: Remembranzas de la Región Oeste de Puerto Rico, (an illustrated book and music project with her mother, oral historian Carmen I. Cruz and her niece, visual artist Andrea María Carnaval), which was released on December 20, 2014 in Puerto Rico. Dulce Vigilante was awarded a $10,000 grant from NALAC, the National Association of Latino Arts & Culture. Pérez turned 11 of her mother's stories into songs and invited two treasures of Puerto Rico to record with her: her younger sister, vocalist-songwriter Miriam Pérez and one of the primary ambassadors of Puerto Rican folkloric music, Tony Mapeyé. The book and CD were reviewed in detail by Gabriela Ortiz Díaz for the Fundación Nacional para la Cultura Popular de Puerto Rico.

In 2017 and 2018, Pérez completed a similar project working with a group of elders from the historic, Mexican Westside of San Antonio, collecting their oral histories and turning them into original songs and a book that includes a CD of the original songs based on their stories from the 1930s-50s. For this project, Pérez invited 20 illustrious musicians from the same Westside (including  Flaco Jiménez, Santiago Jiménez, Jr., Eva Ybarra, Tish Hinojosa, Henry Gómez, Al Gómez, "Sauce" González, Las Tesoros and more) to perform the music. A multimedia performance of the work, choreographed by dancers, Leticia Sánchez-Retamozo and Álvaro Duarte and featuring live appearances by the elders was staged in April and July and the multimedia launch marking the world debut of Still Here: Homenaje al Westside de San Antonio was held in November, 2018. in San Antonio, Texas. This project was commissioned by Esperanza Peace & Justice Center.

Also in 2018, Pérez toured multiple cities in Italy in support of her retrospective album Tengo la Vida: Live from Rome, which was recorded live from a previous concert at the people-occupied theater, Nuovo Cinema Palazzo. The album was released on Italian label, Block Nota Records.


She is currently editing and preparing to publish in 2024 a book/poemario of  selected poems and lyrics. 


After the devastation of Hurricane Maria in September 2017, Pérez and D’Armata started Las Hormigas Boricuas. This small group organized the donation and delivery of satellite telephones, water filters and other urgent necessities directly to community organizers and individuals in Puerto Rico. They recently re-activated the group in the ongoing aftermath of Hurricane Fiona.


On International Women's Day 2018, they launched Radio VoxFem, a pilot podcast on multiple platforms that aims to find and spotlight women singer-songwriters from every nation and occupied territory on earth. Radio VoxFem evolved into VoxFem Network, and now permanently features over 90 women innovators of music, visual art, literature, film, theater and social movements. ( VoxFem also produces an annual festival, a global health minute, VoxFem Italy, VoxFem Xicanindia, AfroCuban hiphop program KrudxsNation, and hosts the virtual space, Luce Centre for Deaf Arts and Scholarship. VFN is now supported by Alice Kleberg Reynolds Foundation and

Since 1991 Pérez has lived and collaborated with her partner in life and art, Dr. Annette D’Armata, in Puerto Rico, Mexico, Spain, Texas, California, Alaska, Arizona, and New Mexico.

P U B L I S H E D W O R K 

Most studio albums and singles were recorded, mixed and mastered at Blue Cat Studios in San Antonio, Texas by Joe Treviño.


Tengo la Vida: Live from Rome, retrospective CD recorded live at Nuovo Cinema Palazzo (Block Nota Records, 2018)


Still Here: Homenaje al Westside de San Antonio, book and companion original musical CD; lyrics and compositions by Lourdes Pérez and featuring 21 guest musicians from the historic Westside of San Antonio, including: Flaco Jiménez, Santiago Jiménez, Jr., Eva Ybarra, Tish Hinojosa, Joe Posada, more (Esperanza Publishing/Chee Wee Records, 2018)


Al Caer la Tarde, Lourdes Pérez and Eva Ybarra, 6 track EP (Chee Wee Records, 2016)


Written in Water, Lourdes Pérez and May Nasr (duet CD in Spanish and Arabic) with special guest Ahmad Kaabour (Chee Wee Records, 2016)


Dulce Vigilante: Remembranzas de la Región Oeste de Puerto Rico, Illustrated book and companion original music CD, (Chee Wee House, 2015)


COLLECTION: 20 Años, Boxed collection of works from 1994 -2014, includes 8 CDs (Chee Wee Records, 2014)


3-SONG SINGLE: Te Llamo (Unadikum) with May Nasr and guest of honor, Ahmad Kaabour (Chee Wee 2011)


En vivo: Lourdes Perez con Miriam Perez (Chee Wee 2007)


Este Filo (Chee Wee 2005)


Azúl y Serena (Chee Wee 2003), commissioned composition, recorded with the Dama de Noche Orchestra


Pájaros de otro canto (Chee Wee 2003), commissioned soundtrack for the film, “¿Adónde Fue Juan José?” (for which she composed the score and is the principal contributing artist) 


Selections from Tres Oraciones (Chee Wee 2002) 


Vestigios (Vivavoce Records-1997) 

CASSETTE Homenaje a Mercedes Sosa, live (Chee Wee, 1995)


Recuerdate Por Mi (Chee Wee 1994)

CASSETTE: Lourdes & Miriam Pérez (Chee Wee, 1993)


CASSETTE: Lourdes Pérez (Chee Wee, 1992)



2009 The Puerto Rican Freedom Album (Welfare Poets) 


2006 La Nueva Escuela CD 


1998 Manuel's Womens Festival Compilation II CD


Full length scores: 

Azul y Serena (multimedia tribute concert; commissioned by Guadalupe Cultural Arts for unveiling of Jesse Treviño’s 4 story tile sculpture of La Virgen de Guadalupe)


Santuarios (modern/folkloric dance; collaboration with Serafín Aponte Nájera)  


El Hilo Mágico (full length film; Say Sí)


The Leaf Storm (modern dance/theater; collaboration with Sharir+Bustamante Dance Company)


conflama (word opera, theater; written by Sharon Bridgforth, staged by Laurie Carlos) 


Adonde Fue Juan Jose (full length film)


Marejada (multimedia, oral history from Vieques, Puerto Rico)


Lourdes’ work also appears in: 

Altar: Cruzando Fronteras, Building Bridges (documentary on the life of Gloria Anzaldúa by Paola Zaccharia)

When (short film by Jen Tsai)

Entre Sillas (CD, Somos Tres)

Lil Ghaly (CD, May Nasr)


For more information, contact Lorena Carbonara:

Lourdes at Tobin.JPG

Photo by Jennifer Davis, 2019


Photo by Ricky Flores, 1986

Gracias a la Vida - interpretada por Lourdes Perez y May Nasr con Eva Ybarra_Moment 15_Pro

Photo by Eduardo Vera, with Eva Ybarra and May Nasr, 2016


Photo by Teresita Pérez, with Mercedes Sosa, 2002

Screen Shot 2018-08-22 at 4.14_edited.jpg

Jazz at Lindoln Center, 2006

Dulce Vigilante front cover only_edited.jpg
Still Here_ Homenaje al Westside de San Antonio.jpg
Lourdes Bari by Andrea 2.jpg

Artwork by Andrea Carnaval, 2012

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